The fifth instalment of Prototype's annual anthology: a space for new work, open to all and free from formal guidelines or restrictions. Poetry, prose, visual work and experiments in between. With contributions by Alex Aspden, Ed Atkins & Steven Zultanski, Mau Baiocco, Claire Carroll, Hal Coase, James M. Creed, Iulia David, Nia Davies, Fiona Glen, Olivia Heal, Emma Hellyer, Hannah Hutchings-Georgiou, Rowe Irvin, Sasja Janssen (trans. Michele Hutchison), Bhanu Kapil, Sharon Kivland, Jeff Ko, Prerana Kumar, Grace Connolly Linden, Dasha Loyko, Nasim Luczaj, Ian Macartney, So Mayer, Catrin Morgan, Ghazal Mosadeq, Kashif Sharma-Patel, Helen Quah, Dipanjali Roy, Leonie Rushforth, Stanley Schtinter, Lutz Seiler (trans. Stefan Tobler), Madeleine Stack, Malin Stahl, Corin Sworn, Olly Todd, Yasmin Vardi, Kate Wakeling, Nathan Walker, Ahren Warner, Stephen Watts & Rojbin Arjen Yigit

On its original publication in 2000, Pitch & Glint was widely hailed as a landmark in German poetry. Rooted in Seiler's childhood home, an East German village brutally undermined by Soviet Russian uranium extraction, these propulsive poems are highly personal, porous, twisting, cadenced, cryptic and earthy, traversing the rural sidelines of European history with undeniable evocative force. The frailty of bodies, a nearness to materials and manual work, the unknowability of our parents' suffering, and ultimately the loss of childhood innocence, all loom large in poems where sound comes first. As Seiler says in an essay, ‘You recognise the song by its sound. The sound forms in the instrument we ourselves have become over time. Before every poem comes the story that we have lived. The poem catches the sound of it. Rather than narrating the story, it narrates its sound.’

Lori, a primary school teacher, is isolated and nervous, comfortable with children but unable to connect to adults. When she meets Ulisses, a professor of philosophy, an opportunity opens: a chance to escape the shipwreck of introspection and embrace the love, including the sexual love, of a man. Her attempt, as Sheila Heti writes in her afterword, is not only "to love and to be loved," but also "to be worthy of life itself." Published in 1968, An Apprenticeship is Clarice Lispector's attempt to reinvent herself following the exhausting effort of her metaphysical masterpiece The Passion According to G. H. Here, in this unconventional love story, she explores the ways in which people try to bridge the gaps between them, and the result, unusual in her work, surprised many readers and became a bestseller. Some appreciated its accessibility; others denounced it as sexist or superficial. To both admirers and critics, the olympian Clarice gave a typically elliptical answer: "I humanized myself," she said. "The book reflects that."

What makes us who we are? Arno Geiger's father was never an easy man to know and when he developed Alzheimer's, Arno realised he was not going to ask for help. 'As my father can no longer cross the bridge into my world, I have to go over to his.' So Arno sets out on a journey to get to know him at last. Born in 1926 in the Austrian Alps, into a farming family who had an orchard, kept three cows, and made schnapps in the cellar, his father was conscripted into World War II as a 'schoolboy soldier' - an experience he rarely spoke about, though it marked him. Striking up a new friendship, Arno walks with him in the village and the landscape they both grew up in and listens to his words, which are often full of unexpected poetry.Through his intelligent, moving and often funny account, we begin to see that whatever happens in old age, a human being retains their past and their character. Translated into nearly 30 languages, The Old King in His Exile will offer solace and insight to anyone coping with a loved one's aging.

In Água Viva Clarice Lispector aims to 'capture the present'. Her direct, confessional and unfiltered meditations on everything from life and time to perfume and sleep are strange and hypnotic in their emotional power and have been a huge influence on many artists and writers, including one Brazilian musician who read it one hundred and eleven times. Despite its apparent spontaneity, this is a masterly work of art, which rearranges language and plays in the gaps between reality and fiction.

'One of the very great writers of the last century' Guardian 'Lispector had an ability to write as though no one had ever written before' Colm Toibin 'He'd wait for her, she knew that now. Until she learned' Lori yearns for love yet is scared of herself, and of connecting with another human. When she meets Ulisses, a Professor of Philosophy, she is forced to confront her fears. As both of them will learn, to be worthy of another person, they must first be fully themselves. The book of which Clarice Lispector said, 'I humanized myself', An Apprenticeship is about the ultimate unknowability of the other in a relationship, and what it means to love and be loved. Translated by Stefan Tobler Edited by Benjamin Moser with an Afterword by Sheila Heti

A meditation on the nature of life and time, Agua Viva (1973) shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector s, Agua Viva stands out as a particular triumph."

It's time we got to know a little more about the Chinese. Did you know they don't eat soup, they drink it? That their surnames come before their first names? That their good sense is to be found not in their heads but in their hearts? Or that white is their colour of mourning? This guide to avoiding the numerous pitfalls of Chinese etiquette is both amusing and informative. The writer and journalist Kai Strittmatter lived and worked in China for ten years. This amusing, affectionate and perceptive book provides a fascinating guide to this lively, sociable and friendly people and their complex and often contradictory society. As the author says: 'Be prepared for everything when you come to Beijing. It really is unbelievable what can happen here'. The new material in this edition takes a critical look at the challenges posed by this, the next global superpower.

All Dogs are Blue is a fiery and scurrilously funny tale of life in a Rio de Janeiro insane asylum. Our narrator is upset by his ever-widening girth and kept awake by the Rio funk blaring from a nearby favela - fair enough, but what about the undercover agents infil- trating the asylum? He misses the toy dog of his child- hood, keeps high literary company with Rimbaud (a mischief-maker) and Baudelaire (a bit too serious for him), and finds himself the leader of a popular cult. All Dogs are Blue burst onto the Brazilian literary scene in 2008. Its raw style and comic inventiveness took readers by storm. But it was to be Rodrigo de Souza Leao's last masterpiece. He died that year, aged 43, in a psychiatric clinic.

Antonio Moura's third collection has the clarity and urgency of a black and white woodcut. A playful collusion of experimental and traditional poetic styles, this collection has both a powerful mythic reach and a bizarre neo-Baroque flavour. Life appears as uncanny, mysterious, something to be faced by the individual. There is a tension between spiritual insight and the sordid realities of life, between the world of today and that of previous eras, between the wider picture and the intensely personal. Moura's rhythms and his questioning of contemporary assumptions about poetry and our lives make this a powerful and distinctive - and one might say a very 'Brazilian' - book.

A suspenseful psychological crime novel from one of Germany's No.1 bestselling authors. In the northern seaside town of Scarborough, a student is found cruelly murdered. For months, the investigators are in the dark, until they are faced with a copy-cat crime. The investigation continues apace, yet they are still struggling to establish a connection between the two victims. Ambitious detective Valerie Almond clings to the all too obvious: a rift within the family of the second victim. But there is far more to the case than first appears and Valerie is led towards a dark secret, inextricably linked to the evacuation of children to Scarborough during World War II. Horrified at her last-minute discovery, Valerie realises that she may be too late for action...

Longlisted for the Man Booker International Prize 'A savagely short novel of immeasurable ambition and violent beauty. This is the language of genius.' Juan Pablos Villalobos 'How often, honestly, does the unveiling in translation of a 'forgotten genius' live up to the hype? Well here's one that does: Raduan Nassar' Times Literary Supplement 'Yes, bastard, you're the one I love' A pair of lovers - a young female journalist and an older man who owns an isolated farm in the Brazilian outback - spend the night together. The next day they proceed to destroy each other. Amid vitriolic insults, cruelty and warring egos, their sexual adventure turns into a savage power game. This intense, erotic cult novel by one of Brazil's most infamous modernist writers explores alienation, the desire to dominate and the wish to be dominated. A new translation by Stefan Tobler

An atmospheric crime novel from the multi-million-copy bestselling Charlotte Link. Carla Roberts lives alone in a high-rise in Hackney. The lift keeps stopping on her floor, but nobody gets out. Days later, she's found brutally murdered. Samson Segal has taken to spying on his neighbours, particularly beautiful and successful Gillian Ward. And when Gillian's daughter finds herself locked out the house, Samson takes her in. But her lack of appreciation makes him angry, and he vents to his diary, unaware that his sister-in-law cracked his password long ago... When Gillian's husband is murdered, Samson finds himself under intense scrutiny. And the only man making any progress on the case shouldn't be working on it. Yet he's the only one who believes Samson is innocent...

While much of the Middle East is now engulfed in conflict and repression, Morocco remains a curious anomaly: peaceful and open to the West, it has provided refuge for artists and writers for generations, and it remains an exotic destination for many curious travelers. The country has been influenced by an incredible variety of peoples Phoenicians, Romans, Arabs, Berbers, Muslims, Jews, and most of Europe s colonizers have played a role and modern Moroccan society is no less rich and varied. In "Morocco," Walter M. Weiss brings extensive knowledge of the region to bear as he travels the breadth and depth of the country s social and geographical contrasts. Berber villagers of the mountains are for the most part still illiterate and consider their king to be divinely chosen, while businessmen in Casablanca s towering offices dream of closer ties to the European Union. Weiss visits the settings of modern legends, such as Tangier, as well as the two medieval "centres Fes" and "Meknes," and sees earthen "kasbahs" and Marrakech s bazaar.On the way, he meets acrobats, Sufi musicians, pilgrims, craftsmen, beatniks, rabbis, and Berber farmers a kaleidoscope of variety and cultural influence. "

Spirituality as a topic in systematic theology is taken up here using the example of Chiara Lubich, who was born in 1920 and later founded the Focolare Movement. This is the first comprehensive treatment using the original sources. Her multi-facetted concept of love and her understanding of the unity of the Trinity are grounded in Jesus being forsaken by God as an at one and the same time internal to the divinity and an actual earthly event. Amidst the suffering of a broken world, this offers the experience of salvation and the encounter with God. Appendices contain thematic tables, a subject index and an index of names.